Ian Radforth is a Canadian social historian who taught for more than three decades in the department of history at the University of Toronto. He is the author of Bushworkers and Bosses: Logging in Northern Ontario, 1900–1980 and Royal Spectacle: The 1860 Visit of the Prince of Wales to Canada and the United States.
Dr. Jason Russell holds a PhD in history from York University and is an associate professor at SUNY Empire State College in Buffalo, New York. He is the author of Our Union: UAW/CAW Local 27 from 1950 to 1990 and Making Managers in Canada, 1945–1995: Companies, Community Colleges, and Universities. He is currently working on several forthcoming books on North American labour history.
Sarah Ratchford is a feminist journalist with a focus on social justice. They cover sexual health and consent, reproductive justice, trans health, and feminist activism. Their essays, features and news stories have appeared in The Walrus, The Toronto Star, Chatelaine, Flare, Elle, Refinery29, and Cosmopolitan. They’ve hosted and produced a number of VICE documentaries on sex work law, trans health, and abortion access. Fired Up about Consent is their first book.
Dr. Suzanne Evans holds a PhD in Religious Studies. After working, studying, and living in China, Indonesia, India, and Vietnam, she now lives and writes in Ottawa. She is the author of Mothers of Heroes, Mothers of Martyrs: World War I and the Politics of Grief. Her writing, which has appeared in academic and literary journals, newspapers, magazines, and books, has a strong focus on women and war.
Fahim Amir is a Viennese philosopher and author. He has taught at various universities and art academies in Europe and Latin America. His research explores the thresholds of nature, cultures and urbanism; performance and utopia; and colonial historicity and modernism.
Karen Messing is a professor of biology at the Université du Québec à Montréal, where she does research in partnership with unions and women’s groups. She was trained in ergonomics and genetics. She is an internationally-known expert on occupational health from a gender perspective. Her 2014 Pain and Prejudice: What Science Can Learn about Work from the People Who Do It was translated into French, Korean and German. She has won numerous academic and non-academic awards, most recently the Yant Award from the American Industrial Hygiene Association and the Order of Canada (Officer Level).
Dr. Julie Macfarlane is a professor of law at the University of Windsor and an experienced mediator, facilitator, and conflict resolution educator. She was named a member of the Order of Canada in 2020. Macfarlane is the author of The New Lawyer: How Settlement Is Transforming the Practice of Law, and has researched and written extensively on the topics of dispute resolution and self-represented litigants.
Alessandro Ranghiasci studies at the Roman School of Comics and the Faculty of Archaeology at the Sapienza University of Rome. He has worked as a storyboard artist in cinema and advertising. Primo Levi is his debut as a comic book artist.
Peter McFarlane is an author, journalist, and editor. His books include Northern Shadows: Canadians in Central America and Ancient Land, Ancient Sky: Following Canada’s Native Canoe Routes. He currently lives north of Montreal and is engaged in a number of writing and editing projects.
Grada Kilomba is an interdisciplinary artist, writer, and theorist born in Lisbon, where she studied clinical psychology and psychoanalysis. Strongly influenced by the work of Frantz Fanon, Kilomba started writing and publishing on memory, trauma, race, gender, and postcolonialism, and later on extended her concerns to form, language, performance, and video installation. She holds a Doctorate in Philosophy from the Freie Universität Berlin and has been lecturing at several international universities, and was last a Professor at the Humboldt Universität Berlin. In her work, Kilomba intentionally creates a hybrid space between the academic and artistic languages, using storytelling as a central element for her decolonial practices. Her highly thought provoking works, have been presented at the Bienal de São Paulo (2016), Berlin Biennale (2018) and Documenta (2017), and exhibited at venues such as The Power Plant, Toronto; MUAC - Museo Universitario Arte Contemporáneo, Mexico City and Amant Art Foundation, New York; among others. She is the author of Plantation Memories and co-editor of Mythen, Masken und Subjekte (2005), an anthology on Critical Whiteness Studies.